San Francisco Bay Area guitar pop stalwart R.E. Seraphin returns with his EP Swingshift, a joint release via Mt. St. Mtn (vinyl US), Dandy Boy Records (cassettes US) and Safe Suburban Homes (cassettes UK). The seven-track home-recorded E.P., featuring both originals and inspired takes on songs by The Wipers and Television Personalities, finds frontman Ray Seraphin joined by colleagues Matt Bullimore (Mantles), Joel Cusumano (Sob Stories), Yea-Ming Chen (Dreamdate, Yea-Ming and the Rumours), Jasper Leach (Burner Herzog) and guitarist Owen Kelley (Owen Adair Kelley).
With the onset of COVID lockdowns, Seraphin rapidly changed his approach to recording, tracking all basics on his iPhone and working with his collaborators via share networks. Rather than feeling constricted by the process, he found a new freedom. “Now, I could record whatever I wanted in my bedroom and send it to whoever I wanted, free of any intraband politics,” he says. “Recording something as I’m writing it has an immediacy that really works for me.” The resultant EP A Room Forever found wide acclaim in the online blog world, firmly establishing Seraphin as a dynamic, multifaceted new voice in independent music.
Seraphin returned to his room and trusty phone last spring to craft his most ambitious work yet in Swingshift. Densely layered, the EP’s sheen brings to mind The Replacements gone psychedelic, Cheap Trick gone to Mars, Cleaners from Venus if they bothered to mix their records. Looking to move on from the muted earth tones dominating much underground music today, he goaded producer Bullimore into piling on the synths, and guitarists Cusumano and Kelley into some surprising guitar acrobatics. “To get away from that sound,” explains R.E., “I pushed for Journey-style solos – a year ago, I would have never even allowed anything like that!” Inspired this round by Ultra Vivid Scene, Miracle Legion and current power-pop maverick Young Guv, Seraphin’s songwriting is delightfully economic, each tune briefly introducing a new sonic world and setting before moving onto the next.
“My songs tend to explore a more visceral perspective,” says R.E., “rather than any abstract declaration of love.” Opener “Playing House” explores “a 21st century Bonnie-and-Clyde scenario,” says Seraphin, “imagining starting a new life with someone that way.” Over a driving swagger that recalls original home recording heroes Shoes, he croons, “Skipped town with half a tank, got six bucks, baby in the bank/Red dog and blue light, we don’t sleep but we never fight.” “Stuck in Reno,” co-written with Flowertown’s Mikey Ramos, is a countrified travelogue that continues the on-the-road vibes – “I know all the flowers bloom/My heart is just high on fumes,” he and vocalist Hannah Kelley harmonize on the chorus. Laced with swirling synths and Petty-esque 12-string guitar, “Virtue of Being Wrong” explores a moment of tension between lovers – “They talk amongst themselves/their eyes burn like hell,” Seraphin and Yea-Ming Chen sing in unison.
Combining classic hooks, an adventurous sonic palette with an ever-distinctive voice, R.E. Seraphin’s Swingshift is yet another surprising turn for this emerging talent.
credits
released May 27, 2022
Recorded by Committee
Mixed and mastered by Matt Bullimore
except "I'll Be Around" mixed by Jasper Leach
Layout and design by Samuelito Cruz
Photo bt Tash del Valios
R.E. Seraphin - vocals, guitar, bass
Owen Adair Kelley - guitar and bass tracks 1, 3, 5. and 6. keyboards, vocals, programming
Matt Bullimore - guitar, keyboards, bass, vocals, percussion
Joel Cusumano - guitar on tracks 2 and 4, keyboards, vocals, programming
K.E. Seraphin - vocals on track 5
Hannah Moriah - vocals on track 3
Yea-Ming Chen - vocals on tracks 2, 4, 6, and 7
Jasper Leach - organ, handclaps on track 6
This is Jed Sm... I mean Mick Trouble at the absolute height of his powers. Mick is the master of chiming guitars, expert melodicism (including in the bass parts), and songs that simultaneously make you ecstatic and angry at Thatcher (or whoever the Thatcher analog is in your life situation). Best album of the year. Jeremy Jensen
Another triumph from the duo of billy woods and ELUCID that offers a lot to take in—and is impossible to ignore. Bandcamp Album of the Day Sep 27, 2023
This isn’t a record review. Or maybe it is. But I fell asleep while listening to this album and had a wonderful dream: I was riding my bike through a fictional version of the city where I was born. You know what I mean- familiar, but strangely new? I rode through predawn darkness. The sun began to rise and made the city glow. Two buildings stood out, a liquor store and a pasta factory. I woke up in a happy mood and carried that feeling throughout the day. Joe